September 30, 2003
For Our Reference
- C. Max Magee @ 1:30 AM ~
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September 29, 2003
What People Are Reading... Part 2
- C. Max Magee @ 2:12 PM ~
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What People Are Reading... Part 1
- C. Max Magee @ 4:28 AM ~
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September 26, 2003
Sad News
- C. Max Magee @ 1:02 PM ~
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September 25, 2003
The Literary Art & The Art of Literature
Which brings me to Chip Kidd. If there is any one person who is at the forefront of forward looking book design, it is Kidd. As a book designer for Knopf, he has designed literaly hundreds of covers, and, as a result, has been heralded as the best in the business. To celebrate his work Yale University and Veronique Vienne have come together to produce a very attractive volume collecting and celebrating some of Kidd's many covers. It is entitled, appropriately, Chip Kidd. Here are a few of Chip Kidd's book covers:






- C. Max Magee @ 3:06 PM ~
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September 23, 2003
More Magical Libraries
two things:
1) you need to include tam tam books in your links... not only b/c it's tosh [a co-worker and the founder of Tam Tam Books], but b/c it's a very idiosyncratic, interesting, eccentric, and different site (much
like the man himself...)
2) loved the piece about "library angels and book fairies", and very happy to see mention of borges (one of my all-time favorties), but you must make specific mention of his story "The Library of Babel" which is, without a doubt, the greatest story about a library ever written -- the library... as a/the universe. a magical story that when i first read on the NYC subway, on my way downtown from hunter college, caused me to miss many a stop... i found myself in brooklyn, and so caught up in a borgesian daze and full of inspiration was i, that i chose not to go back the other way, but exited the subway in a strange part of town and explored, got myself dinner at a greek restaurant, chatted up a one-eyed drunk, then hopped back on the train and went home late that night, all hopped up on borges... (oh, how i miss the whirlwind that is nyc life!) - anyway, if you haven't read this story, it's short and ESSENTIAL. enjoy! [see page 112 of Borges' Collected Fictions]
Heard on the Radio
Today while I was running errands, I was pleasantly surprised by some decent mid-day public radio that mentioned a couple of books that sound pretty interesting. First, I caught the end of a show that airs twice a month on KCRW called DnA. It's devoted to design and architecture issues. Today's guest was design writer Michael Webb who talked about his new book Brave New Houses: Adventures in Southern California Living. According to Webb, over the course of the last century, cutting edge architects have used the single-family home as a kind of laboratory in which they could try out some of their more avant-garde ideas on a smaller, less risky scale. Since, in comparison to most cities, Los Angeles is a very new place, it is home to many of these houses. RM Schindler, Richard Neutra, and Frank Gehry all built single family homes in L. A., and Webb's book is a photographic record of this adventurous ground-breaking architecture.After spending a considerable amount of time in the post office, I got back in my car in the middle of an interview with compilers of another interesting-sounding book (I think the show was The World, by the way). Embedded: The Media At War in Iraq is an oral history of the journalistic experience of the war in Iraq. During and after the war, the two writers, Bill Katovsky and Timothy Carlson wandered from Kuwait City to Baghdad to Amman, and interviewed every journalist they crossed paths with. As they tell it, the resulting book inculudes many tales of both danger and poignency, which, taken as a whole, represent a singular record of the journalistic experience on the front lines.
- C. Max Magee @ 7:52 PM ~
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September 22, 2003
Note From a Reader
I came upon your blog this morning and I liked it. The meta of the blog is a noble idea and I wish you the best. Thought you might appreciate a little ditty I pennedI love libraries and I love the idea of "library angels and book fairies." Libraries can be incredible, mystical places. Anyone who has been to the New York Central Library or the Los Angeles Central Library knows it... and anyone who has read the work of poet, writer, philosopher and blind librarian Jorge Luis Borges, knows the power of the library as well... see his Collected Fictions for various magical library tales. My favorite fictional library? It would have to be the library in Richard Brautigan's novel, The Abortion. In this library, anyone can walk in and place their own handmade book on shelves that gather no dust, and the book will remain there for posterity, for anyone who wishes to see it.
-
Summapoeta
Summa was a bookie, not the Vegas thing where 5 will get you 10, but a fairy that
hung out around ink and parchment and leather bindings. Summa hung out around books.
Sometimes bookies are call library angels, but Summa bristled at this nomenclature.
She was always quick to point out that angels were entities that had been very bad,
that were now trying to be good. Not so with fairies. Fairies had always favored
phun and play and giggle, wiggle, laughing. Why be bad when having phun was so much
better?
Summa's full moniker was Summapoeta. She favored the short sweetest of poems to the
drudgery of wading through the ramblings of fools and their novels. Yes, beauty to
Summa was to say much with little. -
And unto my beckoning
it did come
a perfect point
of celestial splendor
and with this light
I now see
the beauty amongst the shadows.
- to Summa this was a zillion times more beautiful than any novel.
I have always liked the concept of library angels or book fairies, an invisible hand
that seems to lead you to what you need.
You can catch some of my other stuff on http://robertdsnaps.blogspot.com. Hint -
Some of the big ones hang out in the archives.
Doing time on the ball,
"d"
Bookfinding... Classic Literatures and my Broken Down Car
I feel no particular affinity for my car. It is very average and there is nothing romantic about it. And yet, living in Los Angeles, I depend upon the car perhaps more than any of my possessions. Somehow though, this unassuming car of mine must be really tuned into my psyche, because it seems to collapse sympathetically when ever my life hits a rocky patch. During my various periods of full and gainful employment, my car has behaved admirably, quietly doing it's job, asking and recieving no special notice from it's owner... very unassuming. However, whenever I am scrimping and struggling, my car seems to feel my pain and its insides deteriorate and fail, seemingly reacting to the stresses felt by its owner. And so, naturally, with a rent check looming that may be beyond my means, I brought my car to a trusted mechanic for routine and necessary maintainance, and sure enough my trusted mechanic, after spending some time under the hood and under the car, quickly identified several areas where my car was teetering on the brink of total collapse. Having seen the decay with my own two eyes, and resigned to the fact that my car's chronic desire to push me ever deeper into credit card debt, I set out on walk, not often done in Los Angeles, to kill time while my car was unde the knife.Along my way, I passed several bookstores peddling both new and used books, many of which I would like to have owned, none of which I could afford. So, I was much pleased to come upon a Goodwill store in the course of my travels, one with many shelves of dusty paperbacks going for 49 cents a piece. Many of the usual thrift store suspects were present, mounds and mounds of bestseller fodder from two decades ago, but I was able to lay my hands on three classic novels that I am very pleased to add to my growing library. First I found an old Signet Classic paperback copy of Bleak House by Charles Dickens. Dickens has long been one of my favorites, and I am especially fond of Great Expectations and Hard Times. Many consider Bleak House to be his greatest work. I also found a copy of one the most important American novels ever written: Ralph Ellison's Invisible Man. Finally, I came across a novel that I had not heard of before working at the bookstore. Somehow I went through life without any knowledge of Carson McCullers, who as a 23 year old wrote a Southern gothic masterpiece called The Heart is a Lonely Hunter. But now I own the book, and I can't wait to read it.
- C. Max Magee @ 4:04 PM ~
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September 20, 2003
Author Sighting
- C. Max Magee @ 10:46 PM ~
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September 19, 2003
Something to Read
- C. Max Magee @ 11:43 AM ~
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A Free Book for a Volunteer
- C. Max Magee @ 2:21 AM ~
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September 18, 2003
Violence and Tenderness
In the grand tradition of Los Angeles noir, Pete Dexter's new novel Train, is framed in black and white by the minds eye. Yet Dexter has applied his considerable skill to softening the edges; it is delicately written noir.
Train is the nickname of Lionel Walk, a black caddy at a posh Brentwood country club, whose world seems populated only by malevolent forces: the crass racism of the country club members, the criminal element among his fellow caddies, and the undisguised malice of his mother's lover. In the same city, and yet, of course, in another world entirely, a woman named Norah is brutally attacked and her husband is murdered while they are on their yacht, anchored off the coast. Norah manages to escape into the arms of Miller Packard, whom Train will later dub "Mile Away Man," which sets the book careening towards its inevitable conclusion. Packard is brilliantly written as both heroic rescuer and herald of malevolent chaos.
The mystery inherent in this book is not of the whodunit variety - we know from the start who commits the murder on the yacht - rather it is to see which of the forces that seem to inhabit Packard will win out in the end. In fact, one of the strengths of the book is Dexter's ability to embody his characters with such ethereal qualities. Packard seems as though he has been touched by some unmentioned force that torments him. Train, meanwhile, has been similarly touched, and though this force is of pure benevolence, one cannot be sure if it will be strong enough to lift him from his circumstances. Train turns out to be, of all things, a golf prodigy, which would be a lucrative gift for almost anyone except someone in Train's circumstances. Instead, his unaccountable proficiency serves only to further enmesh his life with that of Packard and Norah and a blind former boxer named Plural.
Train is bleak but captivating. The book unfolds in front of you, and you find yourself not wanting to look away.
- C. Max Magee @ 3:47 PM ~
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September 16, 2003
Motherless in Brooklyn
Now it is Jonathan Lethem's turn to write a "big book." The breakout success of his last novel, Motherless Brooklyn, set the stage for an eagerly anticipated follow-up. As if borrowing from the title of his previous book, Lethem's two protagonists grow up motherless in Brooklyn. One is Dylan Ebdus, whose father is a morose and cloistered artist and whose mother is a frenetic but flaky hippy, who, before she is distracted away from their rugged corner of Brooklyn, is determined to blend her white family seamlessly into the black neighborhood. For Rachel Ebdus, gentrification is a dirty word. Next door lives young Mingus Rude, son of soul superstar Barrett Rude, Jr, a brooding musical genius who permits himself to slide into a sort of secluded decay. The two boys are ostensibly best friends, but as is perhaps more true to life, their adolescent lives intertwine, split apart, and become intimately joined as they make their way warily through a minefield of street-borne dangers. The dangers are different for each boy, more often than not according to skin color, but to say that this is a novel about race would be to simplify in a way that Lethem does not.
In the second part of the novel, Dylan is all grown up, and still sorting things out. He doesn't know what it means to have had such a peculiar upbringing, but he knows that if he weren't white, he would probably be in prison like Mingus. His black girlfriend accuses him of collecting poor black people as she looks at his obsessive music collection and mementos from his youth.
There is to this book, as there has been to Lethem's others, a supernatural element, a fantastical token that lifts the story from the realm of reality. With the chaos that surrounds them, it comes as no surprise that young Dylan might see a homeless man named Aaron X. Doily fall from the sky, or that, having found Doily's secret, Dylan and Mingus might become a couple of low rent super heroes. This fantasy realm never becomes the point of the story; if anything, it underscores the insurmountable mania of the world around them. Lethem's insistent devotion to music is perhaps a more dominant trope, and the timeframe of the novel allows him to delve into soul and rap and punk in an enjoyably voyeuristic sort of way.
It is exciting to watch an author like Lethem put together a largely successful, career-changing type novel. This is a deserving book that a lot of people will read. Look for Lethem to join Jonathan Franzen and Michael Chabon at the top of the youngish American writers heap.
- C. Max Magee @ 2:21 PM ~
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Bookspotting
Where: A park bench in Larchmont (A tony neighborhood in L.A.)
Who: Twenty-something man
What: Bobos In Paradise: The New Upper Class and How They Got There by David Brooks.
Description: "Once it was easy to distinguish the staid Bourgeois from the radical Bohemians. This field study of America's latest elite--a hybrid Brooks calls the Bobos--covers everything from cultural artifacts to Bobo attitudes towards sex, morality, work, and leisure."
Anyone else like to go bookspotting?
- C. Max Magee @ 1:31 AM ~
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September 15, 2003
Random Roundup of Recent Books
If you've read much of this blog, you've probably noticed that I am a fan of food writing (Jeffrey Steingarten, Calvin Trillin, and Jonathan Gold are my favorites), and all too often I find myself allured by a brand new restaurant that I can't possibly afford. Food writing, more than any other type of journalism, tends to dwell upon the personality of the writer, and so as I devote untold hours to living vicariously, I get to know my food writers pretty well. For quite awhile now I have enjoyed weekly imaginary meals with LA Weekly food writer Michelle Huneven. She's eloquent and friendly and thorough; not as adventurous as her predecessor Jonathan Gold, but sometimes a peaceful and upscale imaginary lunch is exactly what I'm in the mood for. So, naturally, the other day when I saw that she had a new novel out, I was intrigued. It's called Jamesland, and it was put out by Knopf (a good sign). Then I noticed that the LA Weekly published an excerpt, which I promptly read. It was surprisingly good, compelling enough to make me want to read the book. You can find the excerpt here.
You may have heard of "the original club kid," James St. James. He arrived in New York City towards the end of the Warhol heyday, and with his cadre of maniacs, built a new "scene" from the ground up. It was Studio 54 for the next generation: drugs, sex and a taste for the macabre and bizarre. Fast forward a few years: a murder has shattered the fantasy they created for themselves, and James is spiraling into drug addiction. At this point he decided to write a book: it is half memoir, half true crime account of the "clubland murder." It came out a few years ago under the title, Disco Bloodbath. Then this year it was made into a (profoundly forgettable) movie called Party Monster. Though the movie is bad, the book is not, and now it has finally been released as a paperback (and retitled Party Monster: A Fabulous But True Tale of Murder in Clubland). It's hard to find a book more fun than this one.
A new issue of my favorite magazine came out. The latest installment of Colors is devoted to slums. In classic Colors fashion, their eye is unblinking, yet they do not dwell upon misery or pass judgment, instead they focus on how these hand made cities are an example of human ingenuity and a will to survive and live a life of dignity. Where there is beauty and humor to be found in these places, Colors finds it. These people are everyone, the magazine seems to say.
- C. Max Magee @ 12:53 PM ~
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September 11, 2003
Dispatches from the Front
- C. Max Magee @ 5:18 PM ~
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September 10, 2003
Ask A Book Question: The Seventh in a Series (Calling All Readers of Hesse)
I was hoping to start some discussion of one of my favorite books by mentioning hesses's the glass bead game or magister ludi whichever one wishes to call it. Have you read it? It did gain hesse the 1946 nobel prize.The only Hesse I have ever read is, predictably, Siddhartha, which I considered to be very good, if only because it kept me interested in subject matter that I don't typically care for. I have heard more than once that as far as Hesse goes Siddhartha should be considered a lesser work, since his other writing typically surpasses it. I invite anyone out there with thoughts on The Glass Bead Game/Magister Ludi to speak up via the "comments" link. I meanwhile will add it to my list of things to read.
- C. Max Magee @ 1:52 AM ~
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September 09, 2003
Ask A Book Question: The Sixth in a Series (Santa and the Romans)
I read a story in a compilation book in the 70's about Santa Claus, but you didn't know it was about Santa Claus. I want to know how to get a copy again. It was about a centurion called Claudius who was at the crucifixion. Does anyone know what it is called and who wrote it?Well, I googled this one for about an hour and couldn't come up with anything. There seem to be several Christian storytellers who have written first person accounts of the crucifixion, many of which are very interesting, but none that I could find include Santa Claus. Of course, there are also many dozens of great stories and legends about Santa Claus, but, again, none that I could find had a basis in Ancient Rome. If I had better access to a good library I bet I could figure this out, but, alas, I do not. Sorry I couldn't be more helpful, but maybe someone else out there has heard of this or knows their way around those great library databases. If you knows this story, please let us know by pressing the comment link below. Good luck on your search, Richard!
- C. Max Magee @ 7:06 PM ~
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September 06, 2003
The Millions Guest Contributor: Author, Kaye Gibbons
You'd asked how I felt about having two novels of mine on the Oprah Book Club. There's so much to say about it that I'll talk about it chronologically. Before the Oprah call, I was doing fine, amazing fine. But it didn't start out that way. My advance for Ellen Foster was 1500. But I've always had a strong work ethic, and as I worked, as rights were sold and awards won, the money began to catch up to the blood and time I was putting into it. Unfortunately, being a rather eccentric, free-thinking woman in the South led others and eventually me to conclude that there had to be something pathological about me, and it wasn't until two years ago that a twenty-year old diagnosis of bi-polar disorder was eradicated. Doctors made me feel forced to take drugs that took the edge off my creativity, but I've taken nothing in two years and haven't ever felt and written better.Kaye Gibbons lives in Raleigh, North Carolina. Her books include Charms for Easy Life, On the Occasion of My Last Afternoon, A Cure for Dreams, and Sights Unseen, as well as the titles mentioned above. Her latest novel, Divining Women will come out April 14th. And make sure to check out her cool new website, kayegibbons.com.My theory is that I want to write the best literature possible and have it read by as many people as possible. Living in NC, now half-time in NY, there's a long tradition of writers helping one another, reading manuscripts, finding agents. Lee Smith introduced me to my agent, and then in 1997 I was able to pass that along when I read the first pages of Cold Mountain. Chuck [Charles Frazier] and I had had children at the same Montessori school for years and had been close friends. Things like that happen here all the time.
But there's still a great deal of intellectual isolation here--and that's probably why I write and read as much as I do. The other day in the grocery store, an acquaintance asked me what'd I'd been writing since I finished Divining Women. When I told her I'd been reviewing books for Atlanta and Chicago, she asked, "They let you review your own books?" This is a strange occupation to have in Raleigh, not so much in Chapel Hill, where Alan Gurganus, Reynolds Price, and others live. But sometimes 20 miles feels very far away.
So, with regard to Oprah, one thing her call did was to give what I do for a living a certain amount of validation. I'd been knighted by the French, won awards galore, sold about a million books, had a movie made, done 12 thirty-city book tours, but dealing with the perception that I was a local writer was often frustrating. I'd have an audience of 2000 in Michigan and then 30 in Raleigh, for example.
What it took to manage it was self-esteem, and that generally comes from having a firm grasp of reality and what's important, my children. A digression, because I anticipate someone mouthing about the Oprah money: I have a hard time tolerating the starving artist in the garret whining about how a writer writes a brilliant book that the publisher won't promote and that no one is reading. It's easier to be a victim than take action, write a better book, listen to an editor's input, find a new publisher. I truly believe, because I've seen it, that if a brilliant manuscript exists, that if that writer has had enough gall, brains, energy, etc. to write it that he or she can get it to the right people. When a person sends me something that deserves publishing, I see it through the process. But ninety-nine percent of what I'm sent just isn't good. A writer has to be a superb editor, and wishing a book good doesn't make it so. When someone sends me something drowning in cliches, I tell them that language is to use, not to take easy advantage of. When Oprah called and said she wanted to put the two novels on her show, I was nervous about it diminishing my literary reputation, which sounds pompous to say. When she held A Virtuous Woman up and said, "America, you've wanted a love story, well, here it is," I thought, Well, here we go.
But, you see, her selling, what now, about three million books that month, didn't change the basic nature of the novels or me. When Jonathan Franzen started running his mouth about the maudlin trash or whatever he said about her choices, I smiled and remembered that the first novel, Ellen Foster, is taught all over the world beside The Catcher in the Rye and To Kill a Mockingbird. When it was finished, in 1986, it was sent to and read by Eudora Welty, Walker Percy, Gordon Lish, John Barth, and other people who, over the years, became dear to me. The whole Franzen thing got sort of tedious, and I didn't have the time to get dragged into it.
What someone like a Franzen doesn't see was how poor I was growing up, a surreal state of poverty, and then that small advance, and how I worked my way up to financial security. I'm finally making now what many, many first, very young writers are getting, and I think it damages the soul. I finally have a house that doesn't have something hanging off in disrepair. There's the whole attitude now in music and writing of, I'm 21, Where's my Big Deal? So, even though the Oprah thing seemed to come out of the blue, it had been earned. I think I'd have felt a little ridiculous if it hadn't been. I used a lot of the money establishing a library at a local children's home, which my daughters and I still maintain. We sat down and wrote checks, making decisions together about where the money went. Anything I put away personally was completely eradicated, gone, during a horrible divorce two years later. So, I found myself back at the beginning financially, having been reamed. But I've got this work ethic, and I've got the post-Oprah, broadened visibility. It'll be okay. My daughter wasn't able to go to college in NY, stayed here because of the financial drain of the divorce, but it remains, we will all be okay.
I admire Oprah, enormously. As for the book club, she's getting it done, getting people in bookstores. If there's the criticism that the books she selects have taken on a certain sameness, well, so what? She's not picked Danielle Steele, for crying out loud. I know for a fact, given the hundreds of letters, that people are reading, because of her, who haven't read before.Let me tell you that when I got a letter from a mother who said her daughter's impression of her totally changed when she saw her mother sitting down, reading a book at night in bed, how very proud this woman was, it is hard to say anything critical about the Oprah Book Club.
The problem is that it is hard, to impossible, for people who live around books, who read them, own them, who have, like me, about 4000 books in the bedroom, to even process the notion that houses exist where there are no books except the ones the kids bring home from school. That's a deplorable, elitist attitude. When I was house-shopping, I looked at about fifty upper middle-class houses, and only in a couple did I see more than a handful of books. I started asking the real estate agent if the sellers had hidden the books, thinking they were clutter.
I have two younger teenagers, and I can tell you that seeing them reading anything is a blessing. I don't go over and demand that they upgrade. And for those 350 kids who use the library Oprah made possible day in and day out because the public library in their town will not trust them to check out and bring back books, they'd wonder what all the snobbish hoopla was about. They're able to do their homework better, their grades have improved, and that money was funneled directly from Oprah.
I felt nothing but honored by the whole process, and only wish that I'd been in better emotional and physical shape at the time. I was 75 pounds heavier, weight that drugs I didn't need had put on me, and I felt run down and a little thick in the head. But that was then. This is now. I'm the person I used to be before my marriage went to hell, and I'm nothing but glad that the Oprah thing is a part of my experience. If nothing else, local ladies who stop me in the grocery store don't talk to me like I'm having to sell books out of the back of my car.
I think anybody who wants to be successful at this whole ordeal of publishing has to take a certain amount of responsibility that I see so many people abdicating in favor of bitter comparisons. Language is a gift, and to be able to use language to make a living is one of the most joyful enterprises I can imagine. I try to take that joy and make what I'm writing a better book every time I edit it. I work 18-hour days. It is a long, lonely, spiritually hazardous occupation. But the joy I feel in putting even two words together in something of an original way has nothing to do with money or movies, nothing external. I think that people buy and read my books, regardless of Oprah, because I've always studied everything I've read, even packaging on the mascara I just bought, and tried to figure out why a particular word was chosen. You can get in a habit of alert, concentrated reading that comes back when the writing begins. I've learned to be honest with myself and cut what sucks.
Many Thanks
Thanks to Will Femia for allowing my self-promotion to extend to MSNBC's Weblog Central. For those that are blog-fans, it is always a must-read.- C. Max Magee @ 2:50 AM ~
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September 04, 2003
A Noted Debut
- C. Max Magee @ 1:56 AM ~
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September 02, 2003
Ask a Book Question: The Fifth in a Series (The Russians Are Coming)
I've never read any of the classic Russian writers, and I want to start, but I'm not sure which one to start with. Any ideas? I've got The Brothers Karamazov... so I'm thinking of starting with that....and here is his response...
the russians are my favorites -- all of 'em, dostoevsky, tolstoy, chekhov, gogol, turgenev, pushkin, etc...my favorite russian writer is Dostoevsky (chekhov is second) and my favorite novel is definitely The Brothers Karamazov. it might be my favorite novel of all time, but i think you should start with Crime and Punishment a much more conventional and accessible book. not that i think you couldn't handle The Brothers, but just think you might wanna ease your way in... check out Gogol's short stories "The Overcoat" and "The Nose" [in The Collected Tales of Nikolai Gogol] and Chekhov's story "Ward No. 6" [in Stories] is a masterpiece, as are many (most) of his stories.
Thanks, Brian... If anyone else has insights on the Russians, let us know by using the comment button below.
Two Hot New Books
A couple of very different brand new books have been getting lots of attention from customers lately: The Zanzibar Chest by Aidan Hartley is part mystery, part memoir that is a story of life in post-colonial Africa, which must necessarily touch upon the history of colonialism as well as all too recent war and genocide. Here is an excerpt. Completely unrelated but also very interesting is Where'd You Get Those? New York City's Sneaker Culture: 1960-1987 a pictorial history of playground basketball and the footwear that accompanied it by Bobbito Garcia, writer for Vibe, world-class DJ, "basketball performer," and world-renowned break-dancer. For pics of the hot kicks... go here.- C. Max Magee @ 1:05 AM ~
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